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Amusement, astonishment, irritation, even indignation: the composite heads of Giuseppe Arcimboldo (1526/7-1593) may prompt a whole range of emotions, but no one can remain indifferent to them. Combining the impact of surprise with the aesthetics of the bizarre, his art - reflecting the religious and political upheavals that shook Europe in the second half of the sixteenth century - invites ambivalent responses. For Arcimboldo, aesthetics took precedence over reality, and invenzione was more important than being true to life. A master in the art of sensory deception and an artist of virtuoso technical and conceptual skills, he created an oeuvre whose fascination is as much visual as intellectual.
Ahoj! Jsem Libroamiko, tvůj knižní rádce.
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