Doprava zdarma při nákupu nad 1 499 Kč přes Zásilkovnu nebo PPL Box.

Zjistit stav objednávky

Staňte se součástí komunity milovníků knih z celého světa a získejte hromadu výhod. Založit účet zdarma

Doprava zdarma se Zásilkovnou nad 1 499 Kč

Kurýr DPD 69 Kč PPL shop 49 Kč Balíkovna 69 Kč PPL kurýr 74 Kč PPL box 39 Kč Balíkovna 49 Kč Výdejní místo DPD 49 Kč Zásilkovna 39 Kč

Kontakt

Jak nakupovat

Pomoc

Můj účet

▸ Prázdný :-(

Doprava zdarma při nákupu nad 1 499 Kč přes Zásilkovnu nebo PPL Box.

Cinema Inferno

Celluloid Explosions from the Cultural Margins

Robert G Weiner

Jazyk

Angličtina

Kniha Pevná

Libristo kód: 04929059

Nakladatelství Scarecrow Press, červenec 2010

Cinema Inferno: Celluloid Explosions from the Cultural Margins addresses significant areas (and eras... Celý popis

Libristo kód: 04929059

249 b

2 492 Kč

Skladem u dodavatele Odesíláme za 10-18 dnů

Až 30 dní na vrácení zboží

Zákazníci také koupili

Ultimate...70s Various

Audio CD

392 Kč

Pamuk Büyükannemin Dogum Günü Aytül Akal

Brožovaná

189 Kč

Cantiques Rhytmes Approuves Par Nn. Ss. Les Arch. Et Ev. d'Avignon, d'Aix, de Tulle Sans Auteur

Brožovaná

380 Kč

Das kommende Geschlecht Edward Bulwer-Lytton

Brožovaná

368 Kč

Radio Frequency Identification (Rfid) in Der Automobilindustrie Sebastian Weigert

Brožovaná

1 187 Kč

Cinema Inferno: Celluloid Explosions from the Cultural Margins addresses significant areas (and eras) of "transgressive" filmmaking, including many subgenres and styles that have not yet received much critical attention. This collection of essays covers both contemporary films and those produced in the last 50 years to provide a theoretical framework for looking at transgressive cinema and what that means. This volume begins with a number of essays that examine the aesthetic of "realism," tracing it through the late Italian Neo-Realism of Pasolini, the early films of Melvin Van Peebles, and Canadian filmmaker Guy Maddin. Another section focuses on '70s Italian horror and thrillers, including a substantially different examination of filmmaker Dario Argento, as well as essays on critically underrepresented directors Lucio Fulci and Sergio Martino. A section on New York looks at both radical independents like Troma and Andy Milligan, as well as the social context from which a view of the metropolis-in-decay emerged. Sections also cover the experimental work of the Vienna Action Group and controversial filmmaker Michael Haneke, as well as films and genres too idiosyncratic and disturbing to fit anywhere else, including analyses of Nazi propaganda films, fundamentalist Christian "scare" movies, and postwar Japanese youth films. The final essays try to come to terms with a mainstream flirtation with "transgressive" film and Grindhouse aesthetics.