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Cold buildings - cold hearts
The use of Milan to represent alienation through modernity in Michelangelo Antonioni's "La notte"
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Seminar paper from the year 2009 in the subject Art - Photography and Film, grade: 1,5, University College London, course: Italian Cinema and the city, language: English, abstract: Michelangelo Antonioni is one of Italy s most famous filmmakers of the post-war era. His films are pieces of artwork, the plot develops slowly and there is not much going on. And that makes Antonioni s films difficult to understand for the mass audience. In his seventh feature film La notte (1961) Antonioni shot in and around Milan in a way to create a disturbing and anonymous atmosphere. This essay will analyse how Antonioni uses the city s architecture and landscape to illustrate the alienation of people in the modern world. This essay will have a look at the setting, how Antonioni frames the architecture and the characters in one shot. Two specific sequences of the whole movie will be analyzed properly: The opening sequence and the sequence in which Lidia wanders around the city and the periphery.
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