Doprava zdarma při nákupu nad 1 499 Kč přes Zásilkovnu nebo PPL Box.

Zjistit stav objednávky

Staňte se součástí komunity milovníků knih z celého světa a získejte hromadu výhod. Založit účet zdarma

Doprava zdarma se Zásilkovnou nad 1 499 Kč

Kurýr DPD 69 Kč PPL shop 49 Kč Balíkovna 69 Kč PPL kurýr 74 Kč PPL box 39 Kč Balíkovna 49 Kč Výdejní místo DPD 49 Kč Zásilkovna 39 Kč

Kontakt

Jak nakupovat

Pomoc

Můj účet

▸ Prázdný :-(

Doprava zdarma při nákupu nad 1 499 Kč přes Zásilkovnu nebo PPL Box.

Composing for the Red Screen

Prokofiev and Soviet Film

Kevin Bartig

Jazyk

Angličtina

Kniha Pevná

Libristo kód: 04537063

Nakladatelství Oxford University Press Inc, květen 2013

Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered compo... Celý popis

Libristo kód: 04537063

181 b

1 807 Kč

Skladem u dodavatele Odesíláme za 10-18 dnů

30 dní na vrácení zboží

Zákazníci také koupili

Demographischer Wandel in Deutschland bis 2020 Antje Minde

Brožovaná

369 Kč

Bezcenna Trawińska Rozalia

Brožovaná

217 Kč

Jo-Jo Sachunterricht - Neubearbeitung 2016 - 2. Schuljahr Kirsten Pauli

Brožovaná

241 Kč

Mon chat porte bonheur - Santé

Brožovaná

312 Kč

Dorohedoro T05 - Chaos Edition Q Hayashida

Kniha

611 Kč

Les soeurs Nardal Mormin-Chauvac

Brožovaná

639 Kč

Prufungsangst in der Schule. Padagogische Unterstutzung durch Lehrpersonen Sebastian Sutor

Brožovaná

328 Kč

Achtsamkeit im Advent

Kalendář

138 Kč

Stanley Kubricks Barry Lyndon. Buch & DVD; . Stanley Kubrick

Brožovaná

1 009 Kč

Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines-for the first time-the full extent of this prodigious cinematic career. Bartig examines how Prokofiev's film music derived from a self-imposed challenge: to compose "serious" music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues' ideologically expedient film songs. Looking at Prokofiev's film music as a whole-with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects-reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility.