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Esther Summerson's Struggle for Identity & Acceptance in Bleak House
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In the preface to Bleak House, Charles Dickens wrote §that he purposely dwelt upon the romantic side of §familiar things (xxxv). This simple sentence hints §at the narrative outline of the book, establishing a §third-person omniscient narrator of familiar §things, and the first-person narrative of Esther §Summerson, whose task it was to write about §the romantic side of things. Although not §universally the case, most critics consider the §omniscient narrator to be a powerful, compelling §voice, but find Esther s voice to be somehow §ineffective. In the preface to Bleak House, Charles Dickens wrote §that he purposely dwelt upon the romantic side of §familiar things (xxxv). This simple sentence hints §at the narrative outline of the book, establishing a §third-person omniscient narrator of familiar §things, and the first-person narrative of Esther §Summerson, whose task it was to write about §the romantic side of things. Although not §universally the case, most critics consider the §omniscient narrator to be a powerful, compelling §voice, but find Esther s voice to be somehow §ineffective.
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