Gitanjali

Widely regarded as one of the most important figures in Indian (and more specifically Bengali) literary history, Rabindranath Tagore was the first Indian-indeed, the first person outside Europe-to win the Nobel Prize in Literature, largely in recognition of his "spiritual offering of songs," Gitanjali.Tagore himself translated the poems from the original Bengali, taking many liberties in the process. His English translation is rightly recognized as a work distinct from the Bengali original, consisting of major revisions, many elisions, and many poems originally published in other collections.Tagore's lyrical simplicity, vivid imagery, and themes of nature, spirituality, death, and transcendence combine to produce a truly unique, powerfully moving work of thoughtful beauty. For many who read it, Tagore's words in Song XCVI ring true: "What I have seen is unsurpassable. I have tasted of the hidden honey of this lotus that expands on the ocean of light, and thus I am blessed." Gitanjali (Bengali: গীতাঞ্জলি, lit. ''Song offering'') is a collection of poems by the Bengali poet Rabindranath Tagore. Tagore received the Nobel Prize for Literature in 1913, for its English translation, Song Offerings, making him the first non-European and the first Asian and the only Indian to receive this honour.[1]

It is part of the UNESCO Collection of Representative Works. Its central theme is devotion, and its motto is "I am here to sing thee songs" (No. XV).

The collection by Tagore, originally written in Bengali, comprises 157 poems, many of which have been turned into songs or Rabindra Sangeet. The original Bengali collection was published on 4 August 1910. The translated version, Gitanjali: Song Offerings, was published in November 1912 by the India Society of London. It contained translations of 53 poems from the original Gitanjali, as well as 50 other poems extracted from Tagore's Achalayatan, Gitimalya, Naibedya, Kheya, and more. Overall, Gitanjali: Song Offerings consists of 103 prose poems of Tagore's own English translations.[3] The poems were based on medieval Indian lyrics of devotion with a common theme of love across most poems. Some poems also narrated a conflict between the desire for materialistic possessions and spiritual longing.