Linguistics of Lying And Other Essays

Can language hide thoughts? This question, posed by the German Academy for Language and Literature in 1965 as the topic of its first essay competition, was taken up by the philologist Harald Weinrich, with far-ranging results. The most immediate was his claiming first prize with this volume's title essay, published the following year as "Linguistik der Luge". Weinrich's influential essay, now in its sixth printing in Germany, is presented here for the first time in English, with an updated preface by the author and additional essays selected by him.With wit and clarity, Weinrich brings sophisticated thinking about semantics to bear on the question of how, and how much, language corresponds to thought. He argues that lying is a function not of words but of sentences; it belongs to the semantic aspect of language. His survey of the different ways in which language is untrue forges striking links between linguistic and literary categories on the one hand and ethics and even good manners on the other. In contrast with scholars of an earlier generation, for whom literary and cultural theory circumscribed the issue of style within a fixed aesthetic framework, Weinrich demonstrates that stylistic analysis is closely linked with analysis in the domains of sociology and anthropology.The essays "Jonah's Sign: On the Very Large and the Very Small in Literature", "Politeness, an Affair of Honor", "Politeness and Sincerity", and "The Style Is the Man Is the Devil" complement "The Linguistics of Lying" in their focus on real and false representations in literature and in life, and notably on the immensely destructive lies, Adolf Hitler's in particular, that marked the politics of the twentieth century. Harald Weinrich's economical, highly original writings, available in many languages, are read and discussed all over the world, but this is only the second volume of his work to be published in English. Now, with a translation that captures the wide appeal of the original texts, Jane and Marshall Brown have opened a path to the broader recognition that Weinrich's work so richly deserves.