Melusine, Medea, and Constance in Middle English Literature - Figures of Medieval Romance

If woman was already considered a baser being in§medieval English literary culture, then what explains§the monstrous women--part-animal, or§magically-empowered--who function as typical romance§heroines? If the monstrous women simply dramatize the§conventions of medieval misogyny, then why do so many§of them found dynasties, establish empires, and fill§the royal seats across Europe with their offspring? §A closer look at the figures of Constance, Medea, and§Melusine in 14th, 15th, and early 16th-century§English narratives reveals how metaphorical female§monstrosity functions as a critical lens that allows§authors, and audiences, to reflect on and re-examine§misogynistic conventions, patriarchal authority, and§the romance formula itself. Arguing that the Middle§English romance constructs new possibilities for§fiction, this study uses recent scholarship on§monster theory and medieval women to theorize the§presence of these monstrous women in medieval§romance, discovering how they trace the formulation§of a distinct gender ideology and expose the flaws of§a literary rhetoric that, in defining the female as§Other to the normative male, makes women into monsters.