Doprava zdarma při nákupu nad 1 499 Kč přes Zásilkovnu nebo PPL Box.

Zjistit stav objednávky

Staňte se součástí komunity milovníků knih z celého světa a získejte hromadu výhod. Založit účet zdarma

Doprava zdarma se Zásilkovnou nad 1 499 Kč

Kurýr DPD 69 Kč Balíkovna 69 Kč PPL kurýr 74 Kč PPL box 39 Kč Zásilkovna 39 Kč Výdejní místo DPD 49 Kč PPL shop 49 Kč Balíkovna 49 Kč

Kontakt

Jak nakupovat

Pomoc

Můj účet

▸ Prázdný

Doprava zdarma při nákupu nad 1 499 Kč přes Zásilkovnu nebo PPL Box.

Portrait of a Young Painter

Name: Portrait of a Young Painter
Brand: Duke University Press
SKU: 04731605
Price: 3394 CZK
Availability: InStock
Author: Mary Kay Vaughan
ISBN: 9780822357650

Pepe Zuniga and Mexico City's Rebel Generation

Mary Kay Vaughan

Jazyk

Angličtina

Kniha Pevná

Libristo kód: 04731605

Nakladatelství Duke University Press, prosinec 2014

In "Portrait of a Young Painter," the distinguished historian Mary Kay Vaughan adopts a biographical... Celý popis

Libristo kód: 04731605

339 b

3 394 Kč

Skladem u dodavatele Odesíláme za 14-21 dnů

Až 30 dní na vrácení zboží

Zákazníci také koupili

Neotlozhnaja pomoshh'. Spravochnik dlja roditelej. Vsegda pod rukoj Evgenij Komarovski

Pevná

715 Kč

PRÓXIMA ESTACIÓN: FUTURO RANGA YOGESHWAR

Pevná

726 Kč

Geschichte Der Jetztlebenden Rechts-Gelehrten In Teutschland, Part 1 (1748) Christoph Weidlich

Brožovaná

1 011 Kč

The Gleam

Audio CD

508 Kč

Le lundi, c'est happy ! Pineau

Kniha

587 Kč

In "Portrait of a Young Painter," the distinguished historian Mary Kay Vaughan adopts a biographical approach to understanding the culture surrounding the Mexico City youth rebellion of the 1960s. Her chronicle of the life of painter Pepe Zuniga counters a literature that portrays post-1940 Mexican history as a series of uprisings against state repression, injustice, and social neglect that culminated in the student protests of 1968. Rendering Zuniga's coming of age on the margins of formal politics, Vaughan depicts midcentury Mexico City as a culture of growing prosperity, state largesse, and a vibrant, transnationally-informed public life that produced a multifaceted youth movement brimming with creativity and criticism of convention. In an analysis encompassing the mass media, schools, politics, family, sexuality, neighborhoods, and friendships, she subtly invokes theories of discourse, phenomenology, and affect to examine the formation of Zuniga's persona in the decades leading up to 1968. By discussing the influences that shaped his worldview, she historicizes the process of subject formation and shows how doing so offers new perspectives on the events of 1968.