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Theatre is a uniquely powerful site for the kind of thinking called for by the crises of climate change. The growing scientific and public consensus about the many looming crises following from climate change is matched by an increasing interest, on the part of artists and scholars, to identify creative strategies and practices capable of mounting adequate and appropriate responses to those crises. Encompassing academic research, theatre work-shopping, playwriting, dramaturgy, and theoretical writing, this book offers a practical, theoretical, and critical engagement with the urgent issue of making art in the age of climate change.