Doprava zdarma při nákupu nad 1 499 Kč přes Zásilkovnu nebo PPL Box.

Zjistit stav objednávky

Staňte se součástí komunity milovníků knih z celého světa a získejte hromadu výhod. Založit účet zdarma

Doprava zdarma se Zásilkovnou nad 1 499 Kč

Kurýr DPD 69 Kč Balíkovna 69 Kč PPL kurýr 74 Kč PPL box 39 Kč Zásilkovna 39 Kč Výdejní místo DPD 49 Kč PPL shop 49 Kč Balíkovna 49 Kč

Kontakt

Jak nakupovat

Pomoc

Můj účet

▸ Prázdný :-(

Doprava zdarma při nákupu nad 1 499 Kč přes Zásilkovnu nebo PPL Box.

Storm Over Asia

Name: Storm Over Asia
Brand: Bloomsbury Publishing
SKU: 04270655
Price: 828 CZK
Availability: InStock
Author: Amy Sargeant
ISBN: 9781845113742

Amy Sargeant

Jazyk

Angličtina

Kniha Brožovaná

Libristo kód: 04270655

Nakladatelství Bloomsbury Publishing, březen 2008

"Storm over Asia" ('The Heir to Genghis Khan') was the third of Vsevolod Pudovkin's great silent fil... Celý popis

Libristo kód: 04270655

83 b

828 Kč

U nakladatele na objednávku Odesíláme za 17-26 dnů

Až 30 dní na vrácení zboží

Zákazníci také koupili

Sings The Mad Professor Elvis Presley

Audio CD

404 Kč

Lernkarten Mikrobiologie Maximilian Friedrich-Marwitz

Hra

666 Kč

Schweizer Ortsnamen Julius Studer

Brožovaná

712 Kč

"Storm over Asia" ('The Heir to Genghis Khan') was the third of Vsevolod Pudovkin's great silent films. Released in 1928 it confirmed the director's reputation and Soviet cinema's growing stature internationally. It was subsequently re-edited, sonorised and re-released in 1949. The Buriat-Mongolian actor, Valeri Inkizhinov stars as the trapper hero, Bair, a character partly inspired by the actual Revolutionary figure, Sukhebator. Many of the extras in the film had participated in the events depicted. The film acknowledges a debt to D.W. Griffith and documents the everyday life and rituals of the people living around Lake Baikal, a culture that was almost entirely suppressed in the 1930s.This KINOfile describes the circumstances under which "Storm over Asia" was produced and distributed and discusses the warm reception of the film in Russia, Germany and France. In Britain the film was widely understood as an attack on British involvement in the Russian Civil War and on colonial policy in China and India - and was banned. Amy Sargeant also examines the potency of the Genghis Khan myth for a Soviet audience, and the continuing resonance of this fine film.