Urochishche oborotnya

Vsyakaya zhizn' voskhozhdenie. Odin ostanavlivaetsya na sobstvennoy sytosti, drugoy na vseobshchem protsvetanii. Odin podnimaetsya na kholm, drugoy idet k vershine. Odin otrazhaetsya v luzhe, drugoy v zerkal'noy gladi okeana. Chelovek realen togda, kogda zanyat delom, kogda on khudozhnik, tvorcheski postigayushchiy istinu. Chelovek obitatel' vremeni. Tol'ko vremya vprave osudit' ili vozvelichit' cheloveka. Takovym izobrazhen chelovek vo vremeni i khudozhestvennom prostranstve v tret'ey knige "Tantsuyushchaya golova" romana trilogii Gadzhimurada Gasanova "Urochishche oborotnya". Obrazami Gasana, Shakhperi, ikh antipoda Sherkhanbeka avtor vvodit v pole zreniya ogromnyy mir dalekogo proshlogo, nastoyashchego, budushchego chelovechestva. Gasan i Shakhperi zhivut po zakonam chesti, Sharkhanbek po zakonam podlosti. Oni vse stradayut. Gasan i Shakhperi cherez stradaniya, Sharkhanbek cherez unizheniya prikhodyat k garmonii s mirom. Ikh stradaniya, voskhozhdenie k istine mogli by zateryat'sya v ramkakh romannogo bytopisaniya, esli by na ego stranitsakh ne prisutstvoval ochen' vazhnyy personazh Ryzhegrivaya volchitsa, pramater', simvol voploshcheniya vysshey istiny.Nablyudatel'nost' pisatelya, neozhidannost' ego umozaklyucheniy uvlekaet nastol'ko, chto poroy zabyvaesh' o romannom vremeni.